#Vox ac10 vs fender blues junior how to

The AC15 cab is MDF though - heavy and dead. My budget is about the price of a used Blues Junior III, and I won't buy used (not a lot of choice here). Also, Ill add in general that Fender does reverb very well while the AC15 has tremolo, which I love. But I don't like to tweak too much on a computer. I like modeling as much as tube amps, so I included some solid state amps. I don't care for the reverb of the amp, and I will be gigging with it. Weight is important, I don't want something a lot heavier than a Blues Junior. I mostly play pop/rock and my favorite bands are Radiohead and (the old) Muse. I'm looking for an amp that has a good dirty clean/breakup tone, and pairs well with pedals (I only use pedals for my dirt). Not the response of a tube amp, but no one hears the difference anyway. These days, at rehearsal, I play with a Joyo AC Tone on one of those Behringer keyboard amps and it's pretty good. For that application, I really liked the Vox AC15, but I sold that one because it was very heavy, and at the time, I wanted to try something different. But it didn't shine in a live situation either. At home, it was like a lot of tube amps, not really doing it. You can't go wrong.I am selling my Fender Blues Junior III but I don't know which amp to buy. If you can justify the cost, and are forced to get just one, go for the Princeton. It is a pleasantly surprising amp with complex tones that still puts a smile on my face every time I play it. If money is a concern, get the Vox and never look back.

At home it still has that great Vox tone at low volume, and will give you the crunch you need, but is a little more selective as to which pedals work best. It's Blues tone is definitely more '60's British, but still lush. Its bright, loud, punchy, and can rock with the best of them. For live playing, I probably like it a bit more than the Princeton. (NOTE:I own a well maintained 1999 Blonde Blues Jr. But, remember, its twice the price of the Vox. now more of a collector) has a bunch of vintage ( or vintage style) Fender amps and a more modern Vox AC-15 with Reverb. It is a great example of a 6V6 power tube amp. You can shape more different tones with it, especially in a home, studio, or recording setting. It takes a wider range of pedals a little better than the Vox. The Princeton has more tonal range, meaning from a true Fender-y clean, to a wonderful, creamy distortion, to tremolo drenched surf style, to a glorious muted jazz tone.

#Vox ac10 vs fender blues junior how to

So, how to choose? If I was forced to choose, which fortunately I am not, it would be tough. The Vox itself is solid - has a good speaker and it has onboard effects. The clean is great (though it breaks up early), the top boost just isnt my thing. Has two channels vs one on the Blues Junior. I thought that I did, but it ended up being a little tinny for my taste. Both have strong, defined low bass tone coming from the 10' speakers. It was a tonal thing for me - obviously make sure you like Vox tone. The Fender has those beautiful cleans, and the Vox just chimes. Being lower wattage, they both are able to maintain their true character played down low in a home setting.

I love that either are 'grab-and-go' for live playing. If the band is a really loud one, just put a PA microphone on either amp and you're good to go. They both hang in great in a small band scenario, and I have used both, un-miced, with two other guitarists and a drummer with no problem.

First of all, both meet your criteria above. 'Let me try to give you a more detailed impression of these two amps the Fender '68 Custom Princeton and the new VOX AC10C1. The Cub-Super12 is a single-channel amp with two inputs. Again, its ceramic magnet is medium-weight everything about the Cub-Super12 is geared up to be portable. It has a HH Electronics H12-65 custom speaker. Most blues guitarists are looking for slightly overdriven tones, most of the time. As a result, you can push a small guitar amp into that beautiful bluesy breakup at a lower volume. Its my best answer on these two great smaller amps: The Laney Cub-Super12 has a trio of 12AX7s in the preamp and pair of EL84 power tubes. Lower watt amps are less powerful, so you can overload the tubes within them more easily. Here's what I wrote to a fellow member in December.